Airspace by Attack Mag

In the end, Airspace is far more than the sum of its already-pretty-cool parts. Each section is a nice effect on its own (and can be used that way too), but taken together they’re awesome. 

Is this going to be your only reverb? Probably not. There’s always room in a mix for something like Relab’s outstanding LX480. Will it be the last saturator plugin you ever use? Unlikely – Izotop’s Trash 2 offers advanced convolution-based fun too. And, finally, will you become a monogamous, one-delay producer who avoids eye contact with every Lexicon you see, in case it gets the wrong impression and leads you into temptation? If that’s your goal, just don’t have that second glass of rosé in the company of PSP Audioware’s PSP 285. 

But that’s really not the point. The real genius here is how perfectly designed and calibrated it all is, the inventiveness, and the quality of the 450+ IRs. Even somebody with no experience of mixing or convolution can instantly create crazy new textures, and a healthy 245+ presets let you put Airspace instantly to use for both conventional or creative mixing purposes. 

Lastly, it must be said, placing a delay between those two envelope-equipped convolution engines is inspired. Everybody making techno, doing sound design, or who is simply excited about the idea of creating an entire groove, complete with bassline / melody, from nothing more than a 4-4 kick drum signal, needs to take the 14 day trial for a spin.